Wednesday, August 12, 2009

Elena Paparizou -Greek Celeberity


In today's blog entry I would like to feature Elena Paparizou as an exemplary Greek women who is making her sisters proud across the world with her exceptional endeavors as a fellow Greek women

Eleni "Elena" Paparizou[1] (Greek: Έλενα Παπαρίζου, pronounced [ˈelena papaˈrizu]; born 31 January 1982) often known internationally as Helena Paparizou, is a Greek singer and occasional songwriter, who was born and raised in Sweden. She began her career in 1999 as a member of the duo Antique, while she also worked briefly as a model for a Swedish-Greek brand. After rising to recognition in Greece following their participation in the Eurovision Song Contest 2001, they witnessed commercial success until Paparizou embarked on a solo career in 2003 and released her debut album Protereotita (2004), with emphasis on more pop sounds in addition to the more traditional Greek laïko genre. Paparizou then won the Eurovision Song Contest 2005 for Greece for the first time in the contest's history, with the song "My Number One", something which significantly contributed to her career. Following the Eurovision success, her album was certified double Platinum and received two Arion Music Awards, while she also briefly attempted a career beyond Greece with English-language material to mild success. Her three subsequent albums Iparhi Logos (2006), The Game of Love (2006) and Vrisko To Logo Na Zo (2008) all reached Platinum sales and received some accolades, with the former receiving another Arion. Her fifth studio album, Giro Apo T'Oneiro was released in March 2010. In March 2010, Alpha TV ranked Paparizou at number 14 on their list of the "30 Most Successful Greek Female Artist of the Past 50 Years", based on the most certifications awarded by IFPI, totaling seven Platinum and four Gold records. She has been certified for the sales of at least 150 thousand albums and a further 50 thousand singles by IFPI Greece

Vocal style

Especially following the disbandment of Antique, Paparizou's voice was characterized as possessing a "deep, sensual" tone.[85] Paparizou possesses a mezzo-soprano vocal range; from her Antique years up until 2005, she performed in a vocal range of C4 to B6.[86] Some critics have argued whether pop or laiko material best suits the artist vocally; both Mastorakis and Zervas of Music Corner maintained that she was passable in both,[80][81] with Zervas being most commending of her vocal abilities in the dance-pop genre, adding that in her live covers of "Don't Speak" and "Just Walk Away" she gave her best vocal performance.[81] Nitro criticized Paparizou's musical abilities overall, saying that if the world was fair, it would be widely acknowledged that she "has simply a pretty face, while the voice behind that belongs to a less pretty singer."[87] In 2008, Evianna Nikoleri noticed an improvement in Paparizou's voice, suggesting that Vrisko To Logo Na Zo contained her best vocal performance on an album.[77] Makis Kalamaris, who believed the album to be quite mediocre, saying it was based mostly on "beatless rock scratches and mellow ballads", said that Paparizou saved most of the material just with her interpretation of it.[78] However, in a number of tracks, most notably from that album, Paparizou's vocals were criticized for oversinging in an attempt to show her full volume and yelling excessively as a result of pushing her range to reach high notes.[77][78] This was most notably observed on the tracks "Eisai I Foni" and "Den Tha 'Mai 'Do", with Nikoleri saying that with the idea that yelling is synonymous with singing well she was doing her voice injustice.[77]

Paparizou at one point during her youth she followed Buddhism, but eventually began following the Greek Orthodox religion once again as she believes it suits her better.[20] She has been involved in a long term relationship with fellow Swedish-born Greek Toni Mavridis,[105] whom she was introduced to as a musician by a friend of her sister's at a restaurant called Mykonos when she was only 17, while Mavridis is 11 years her senior.[4][7] Mavridis became an impresario for Antique and has written songs on all of Paparizou's solo albums, while he also serves as her manager. Mavridis had approached Paparizou for only one month before their relationship commenced and she left her parents' home to live with him in Stockholm. The two had a traditional Greek engagement celebration with their relatives on December 24, 2000 and have been engaged since;[4] however, Paparizou has said that Mavridis has never officially proposed to her and that she would prefer that he do this in the Western tradition of going down on one knee.[106] They bought a home together in the Athens suburb of Glyfada in 2006.[7][107] Mavridis has suggested the idea of the two getting married in Las Vegas, Nevada,[108] while Paparizou has also already chosen a koumbara, her good friend Roxani.[7] On many occasions, Paparizou has commented on starting a family with Mavridis; in Celebrity, Paparizou was quoted as saying "I believe that family is the most natural thing, the thing I want in my life. And what is my preference? To not have kids so I can continue my career? One day it will end. I cannot be on stage everyday, like I am now at 25,"[109] while in Nitro she said "No [Mavridis is not my first relationship], but I think he is my last. He is the person I want to have kids with. I think he is the best father they could have. If I don't have kids with him, then I will adopt."[7]

Wednesday, July 1, 2009

Melina Mercouri -Greek Soprano Singer


In today's blog entry I would like to feature Melina Mercouri as an exemplary Greek women who is making her sisters proud across the world with her exceptional endeavors as a fellow Greek women




Melina Mercouri (Greek: Μελίνα Μερκούρη), born as Maria Amalia Mercouris (October 18, 1920, Athens, Greece – March 6, 1994, New York City, New York) was a Greek actress, singer and politician.

As an actress she made her film debut in Stella (1955) and met international success with her performances in Never on Sunday, Phaedra, Topkapi and Promise at Dawn. She won the award for Best Actress at the 1960 Cannes Film Festival, and she was also nominated for an Academy Award, three Golden Globe Awards, and two BAFTA Awards.

A political activist during the Greek military junta of 1967–1974, she became a member of the Hellenic Parliament in 1977 and the first female Minister for Culture of Greece in 1981. Mercouri was the person who, in 1983, conceived and proposed the programme of the European Capital of Culture, which has been established by the European Union since 1985.
She was a strong advocate for the return of the Parthenon Marbles, that were removed from the Parthenon and are now displayed in the British Museum, to Athens.

Her Early Life

Maria Amalia Mercouris was born in Athens in 1920, the daughter of Stamatis Mercouris, a former cavalry officer, member of Parliament for the Democratic Socialist Party of Greece and former Minister for Public Order of Greece, and Eirini Lappa, originated from a prominent family of Athens. Spyridon Merkouris, her paternal grandfather, was one of the most successful Mayors of Athens and played a major role in her early life.

When she completed her secondary education, she was admitted to the National Theatre's Drama School after reciting a poem by Kostas Karyotakis. Dimitris Rontiris was her teacher and she graduated in 1944.

Aged 21, she married her first husband, Panos Harokopos, a wealthy landowner; they divorced in 1962.

Her International Success

Her first movie was the Greek language film Stella (1955), directed by Michael Cacoyannis (also the director of Zorba the Greek). The film received special praise at the 1956 Cannes Film Festival, where she met for first time the American film director Jules Dassin, with whom she would share her life, as they got married in 1966, and career. As a start, the next year she starred in the latter's He Who Must Die and other Dassin's film followed featuring Mercouri, such as The Law (1959). [citation needed]

She became well-known to international audiences when she starred in Never on Sunday (1960), in which Dassin was the director and co-star. For this film, Mercouri received the Best Actress Award at the 1960 Cannes Film Festival and was nominated for the Academy Award for Best Actress and the BAFTA Award for Best Actress in a Leading Role. [citation needed]

After her first major international success, she went on to star in Phaedra (1962), for which she was nominated again for the BAFTA Award and the Golden Globe Award for Best Actress in Motion Picture Drama. The recognition of her acting talent did not stop though, as her role in Topkapi (1964) granted her one more nomination, this time for the Golden Globe Award for Best Actress in Motion Picture Musical or Comedy. Mercouri worked with other famous directors as well, such as Joseph Losey, Vittorio De Sica, Ronald Neame, Carl Foreman, Norman Jewison, and starred in films like Spanish language The Uninhibited by Juan Antonio Bardem. She continued her stage career in the Greek production of Tennessee Williams's Sweet Bird of Youth (1960), under the direction of Karolos Koun. In 1967, she played the leading role in Illya Darling at Broadway, for which she was nominated for the Tony Award for Best Performance by a Leading Actress in a Musical, while her performance in Promise at Dawn (1970) gave her another Golden Globe Award nomination.

Melina Mercouri concentrated on her stage career for the following years, playing in the Greek productions of The Threepenny Opera and, for a second time, Sweet Bird of Youth, in addition to the ancient Greek tragedies Medea and Oresteia. She retired from film acting in 1978, when she played in her last film, A Dream of Passion, directed by her husband Jules Dassin. Her last performance on stage was in the opera Pylades at the Athens Concert Hall in 1992, portraying Clytemnestra.


Her Death

Melina Mercouri died in March 6, 1994, at Memorial Sloan-Kettering Cancer Center, New York City, from lung cancer, aged 73. She was survived by her husband, Jules Dassin. She received a state funeral with Prime Minister's honors at the First Cemetery of Athens four days later. Thousands attended her funeral.